P.H. LOW
BIO
P. H. Low is the Ignyte- and Rhysling-nominated author of These Deathless Shores (Orbit US / Angry Robot UK). Their shorter work is published or forthcoming in Uncanny Magazine, Strange Horizons, PodCastle, The Kids Came Back Wrong (ed. Wen-yi Lee, Bloomsbury, fall 2027), and It's Storytime with Wil Wheaton, among others. P. H. has served as faculty at Futurescapes Writers’ Workshop and is the poetry editor for Anathema: Spec from the Margins; their previous mentees (through Author Mentor Match) have gone on to gain literary representation and book deals.
P. H. is represented by Mike Whatnall at Dystel, Goderich & Bourret and can be found online at ph-low.com, @_lowpH on Instagram, and @ph-low.com on Bluesky.
MSWL
Iam considering adult, crossover, and select YA projects! I’m looking for lyrical and poetic fantasy, romantasy, romance, grounded sci-fi/upmarket speculative fiction (e.g., The Ministry of Time), horror, fabulism, and anything weird/genre-bending in adult/NA, as well as YA contemporary, romance, and horror.
Across genres and age groups, I’m drawn to character-driven stories, sharp vivid prose, squee-worthy character arcs, earnestness, beautiful settings, and some sense of wonder even if/when things get dark. Most of my favorite books right now are high-stakes (I like to joke that my version of “cozy” involves at least one dead body) but still feel tender and open-hearted at their core.
Some things I’d love to see:
Neurodivergent, BIPOC, disabled, and/or queer (especially trans, genderqueer, and/or acespec) love stories—romantic or platonic—across genres. I am here for the yearning!!
Neurodivergent & disability feelings generally (in particular: autistic characters who don’t “earn” their place in the story solely by being hypercompetent)
Angsty character arcs—self-discovery, healing old hurts, redemption, etc.
Gap moe and hidden selves
Slow burns
Cinnamon roll characters who find themselves in high-stakes situations (also: cinnamon rolls who could actually kill you, and/or who don’t know what to make of their own devastating power)
Liminal spaces and the navigation of identities as one passes between them
Anti-colonial and/or anti-capitalist themes—either in the midst of the struggle or imagining what lies beyond
Exploration of systemic trauma as a process rather than a single event
Dark academia with a niche subject, or where magic is used in a fresh way
Gothic settings, horror or fantastical or otherwise
Characters haunted by their past selves
Dream worlds and the blurring of realities (a la Mad Sisters of Esi and Madeleine is Sleeping)
Trope subversions and commentaries (e.g., Every Heart a Doorway, Long Live Evil); books about the power of stories (re: The Ten Thousand Doors of January, The Book Eaters, The Everlasting)
What I might not connect with:
Mysteries, thrillers, or historical fiction without speculative elements
Cishet romance that leans heavily on the characters’ physical attraction (not to say I’ve never connected with these, but it has historically been pretty rare)
Epic fantasy, especially with medieval Europe-inspired settings
Military fantasy
Hard sci-fi
Grimdark
Dystopia/cyberpunk/surveillance state
Stories that foreground survival against the elements, natural disasters, or post-/apocalypse
Stories set primarily in space and/or tight enclosed spaces
Pandemic/contamination stories
Stories that center a toxic or abusive relationship (i.e., for the main plot/relationship; as backstory is fine)
Casts in which everyone is an asshole
Stories where disordered eating/dysmorphia has a prominent role
Low-stakes cozy fantasy
Stories for which humor is the primary intended emotional driver (however, humor within larger angst/stakes is appreciated—e.g., Little Thieves, The Everlasting)
Middle grade
Graphic novels
Picture books
Books/media I love:
Adult Speculative
The Hands of the Emperor and At The Feet of the Sun by Victoria Goddard
The Everlasting by Alix E. Harrow
The Goblin Emperor by Katherine Addison
A Marvellous Light by Freya Marske
Mad Sisters of Esi by Tashan Mehta
Death Wish by Lilly Lu
A Taste of Gold and Iron and Yield Under Great Persuasion by Alexandra Rowland
The Night Parade by Jami Nakamura Lin
Babel by R. F. Kuang
This is How You Lose the Time War by Amal El-Mohtar and Max Gladstone
The River Has Roots by Amal El-Mohtar
The Ministry of Time by Kailene Bradley
Adult Contemporary/Realism
The Charm Offensive by Alison Cochrun
The Bride Test by Helen Hoang
Book Lovers and Beach Read by Emily Henry
Act Your Age, Eve Brown by Talia Hibbert
Chemistry by Weike Wang
On Earth We’re Briefly Gorgeous by Ocean Vuong
The Likeness by Tana French
YA/Crossover
Midnights with You by Clare Osongco
Heart Check by Emily Charlotte
Sick Kids in Love by Hannah Moskowitz
Always the Almost by Edward Underhill
Icarus by K. Ancrum
It Goes Like This by Miel Moreland
The Spirit Bares Its Teeth by Andrew Joseph White
The Dark We Know by Wen-yi Lee
Wilder Girls by Rory Power
Little Thieves by Margaret Owen
A Study in Drowning by Ava Reid
Finally, a note on mentorship—I’m here to help you realize your creative vision for your story! I prioritize transparent communication and am happy to adjust my feedback style and modality based on your needs. Depending on the manuscript, I may suggest substantial revisions beyond line edits, and am happy to share my process for that as well as help you find strategies that work best for you. Thank you in advance for trusting me with your work!