thea liu
BIO
Thea Liu (she/her) is a Taiwanese author represented by Laura Bradford of Bradford Literary Agency. Her short fiction has been published in Uncharted, Factor Four Magazine, and more. She has previously been a Pitch Wars mentee (2018) and a Write Team Mentorship Program Critique Mentor (2024). She lives in Taipei with her two cats, neither of which understand (or care) that she would prefer to have both hands free so she can write more efficiently.
MSWL
General preference for upmarket stories (aka stories with literary writing and thoughtful critique that also have a genre hook and don't lose sight of pacing).
Compelling, complex, flawed characters complemented by a voice that draws me in. While I typically prefer writing that leans lyrical, I also enjoy humorous and snarky voices.
For fantasy: magic systems that are so well-crafted they feel almost scientific; worlds that feel real and atmospheric and draw from something other than Medieval Europe (extra points if you can comp The Empress of Salt and Fortune)
For sci-fi: stories that are less about pew-pew lasers and more about reflecting on human nature, and that include thoughtful projections of our future; would love something with a dystopian or apocalyptic bent
For horror / thriller / mystery: while I love some goriness, I prefer for the tension to be psychological and emotional, rather than stemming from jump scares and rolling heads; I love weird girl horror, body horror, and literary thriller (extra points if you can comp A Certain Hunger).
Interested in anything that can be described as “weird and gross” or “literary and tragic.”
Would love an interesting genre mashup (eg: The Starving Saints) and/or something with an interesting narrative structure (multiple timelines, mixed media, etc).
Looking for stories that represent people, cultures, and settings that have been traditionally sidelined in mainstream media.
Probably NOT for me, though I’d love to be proven wrong: road trips, heavily romance-centric stories, main characters that are royalty, hard sci-fi (space sci-fi is fine and fun, just not sci-fi that goes very heavy on describing tech), retellings that have been done a lot (Beauty and the Beast, Alice in Wonderland, Greek mythology), dark academia that happens in an academy but does not critique the academia.